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Sun of the Dead

by Ghost Bike

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1.
Ridiculous 04:58
2.
With the shimmering sea, sea of troubles around me, With the sun for a lover and a bare bodkin of song in hand, I run for cover from ash rains yet to come, I run on my own - Rather the ills we have - From the colorless plague that blows smugly across this land. With the sun’s hand in mine - And we hide together, Touching, laughing, omniscient - Like lovers’ eyes. We’ve discovered a country where all travelers remain, A secret beach of our own that might our quietus make Should they etch the whole world into a Weber deathscape again. Sun - Like buried love, Surrounds me. I run - In awe, from those around me.
3.
There is an old Dutch saying about glass and happiness: Two of the most fragile things in the world. And another about being happy with what God gave you before it's taken away by His good fucking people. And all the times - who kept count? - when we cuddled with my art books by your halogen fire, Frozen and warm at the same time, Boschian lovers in liquid crystal, Have we ever noticed the cracks in the glass? Now, come mid-May - my birthday/your deathday - I tiptoe to our plot at the beach. The sea is still messy from winter and the sun stares at me through her cloud-stained fingers. My cellphone shut down, just like then, but for a vaguely opposite reason. Everything is so vague now I'm an adult. I don't work since I have a job and don't learn since I have to study. So this is timelessness? Digitized, private for the world to see? Is liquid crystal our Boscian bubble? Our bubble is cracking - Mold eats at your fancy designs. Our bubble is cracking - My tapes by the dump. Scattered, like still unburned ashes, they're flapping. Bearing no fruit, cut down and thrown in the fire... Our bubble is cracking - Mold eats at your fancy designs. Our bubble is cracking - My tapes by the dump. Everything we have amassed we have to give to the poor now... We thought we were the poor - We really are now.
4.
Daddy barfed across two black seas, Frisked for red-tape memories. Blueprints in my cuddly atlas. (All this, naturally, for me.) Jewish there, Russian here, A deeply civil engineer. Guarding wastelands - more, more, more! Heart attack at 54... Workers of the world - Row, row! Add more fuel to your fire - It's ready to blow!.. Now they're coming for me With their funds of mistrust: Empty buildings need guarding, Lest blown to flying memos and dust. Sweetie had but me to talk to. Same boat on a ship of fools. How we laughed at their sick healthcare And their ignorancing schools... Studied culture, worked for dummies. Never ever be like mommy. Couldn't balance love with hate, Took the pill at 28... Now they're coming for me. Endless funds of distrust. Hateful buildings in guarding I'd blow to fucking memos and dust. Now they're locking on me. Get thee, bee, to the hive. I'm a man, not a bee. They won't get me alive.
5.
6.
One Step 05:44
7.
Let me take you down Broken shadows Follow me on a dark road To a lonely corner Let me have my way Like no other Let me help you Feel me again And so I try Leading you To the safety To the edge of What I take From you Pace yourself my love Don't slow down Try you closer so we're Close together If I am here Where do you wonder Help me see you Smile again And so I try Leading you To the safety To the edge of What I take From you
8.
9.
10.
Unsay Unhear 05:07
In the sea of high grass you'll be sunk with your head, In the house - with peace come along… She'll embrace with her arms, veil around with her plait. "Hi, my prince," she will say, slim and strong. She will tell you again, "Here are charms of the rose, Here the dodder was waving his curls. What the news have you brought, in what lands have been lost? Who dislikes us, who likes, who sends curse? " As before you forget that the days go ahead, As before you excuse loft and wrong, And you see as the clouds at distance are spread, And you hear the villages' song. For the far lands your heart will bemoan its plea, To the battle will call and entice, She will say, "Farewell. And again come to me. "… And again bells sing songs behind grass.
11.
Sublime 04:56
I have no time to sell Let no timeline prevail Over what's in my breath There's deadline and there's death I've no moments to spare There is war everywhere Shelters built, blown to shreds We're among living dead We're suspended in time Ridiculed but sublime Teddybears and windchimes Matter here, not their dimes Let's stay home, fuck them all We have old tapes and fall We have rains with a view There's no her, only you We have tarnishing trees Let me stay on my knees We have honey and tea There's no him, only me We're inside this stained glass There's no them, only us There's no end, see and try They that live cannot die Let them fall, let them strife Let them call cycles life Let them wage their day wars We're not them anymore And when all will be well We'll have stories to tell We're suspended in time Ridiculed but sublime

about

"...Two years since Time's Carcass EP, [GB] has lost none of its' ethereal romanticism, its' intricate bite and dark corners... An analog maze, where radiant melodies lose themselves in chaotic digressions of dreamlike echoes, spectral distortion, beautiful echoes of Bristol and outpours of Eastern strings..." - Indie Rock Mag

"...Middle Eastern sonorities rub shoulders with rock elements such as hard-hitting drums and distorted electric guitars, though not in such a way that a clear split can be drawn between them. Instead, the various parts blend into a polyglot style." - Textura

"... Impressive in scope, with non-trivial and harmonious combinations of shoegazer, post-rock, cinematic dark ambient, post-metal and electronica. ... rich, intense, meditative, enigmatic and dramatic music. Perhaps we are witnessing a new musical style born - "ghost-rock", and Ghost Bike is one of its' founders and pioneers." - Machinist Music

"Exotic, richly textured, and mesmerizing." - Stationary Travels

"...A sound so full and mature, with half a dozen genres blending harmoniously into an intense and fluid whole, kissed by fascinating guitar work never before so rich in detail and nuance... Strong pathos and rare magnetism, enough to convince yourself of this admirable artist's ability to amaze and delight. A small miracle, really not to be missed." - Darkroom Magazine

"A revelation for the post-dubstep scene... with its' black metal guitars, underground jazz vocals, oriental samples and drones, soundscapes that are dark yet dreamy, it is a delightful example of modern expression in sound." - Musicpaper.gr

"A mesmerizing mix of beautiful yet haunting melodies and vocals." - SuperScience & Sorcery

"...So intense and yet simple and linear... The guitar is a revelation, a revolution, a message from another world, another lifetime. You want to hear it again and again, but you've heard too much already - and then, on the second spin it sounds completely different." - Tarbut.il

credits

released November 5, 2013

Vlad Shusterman - guitars, synths, samples, programming, vocals on 4, 10, 11
Tamar Singer - vocals on 1
Ayelet Rose Gottlieb - vocals on 2
Ayala Almog - vocals on 3, 7
Julia Feldman - vocals on 8
Michal Shaked - vocals on 10

Written, arranged, produced and mixed by V. Sh.
Mastered @ 37n, 122w.
Front cover art by Andrey Akishev (5nak.com)
Portrait by Ofer Dor

In ever loving memory of Keren Knobler (1979 - 2007)

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about

Ghost Bike Jerusalem

Fueled by defiance in the face of loss, Vlad Shusterman’s eclectic and critically acclaimed work as Ghost Bike reflects all the byzantine wonder and violence of his hometown Jerusalem, Israel. Two of his releases are available on Oakland, CA.'s famed n5MD imprint. His remix credits include the likes of Architect and Blue Foundation. ... more

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